Talk and Listen to the Wood - Interview with Mizokawa Furniture Store

Love for the beauty of Japanese wood and sustainable furniture for the future

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Established in 1960 in Kyotango City located at the northern tip of Kyoto Prefecture, Mizokawa Furniture Store’s business roots are in tategu, or Japanese joinery furniture manufacturing. Tetsuo Takasugi, the director of the company who was born into the furniture business family, has always loved watching how furniture was made by skilled craftspeople since he was a little boy. For him, the sight of craftsmen making furniture was fascinating beyond belief.

Takasugi talks not only about the quality of furniture they produce but also the philosophy behind it. He is very concerned about our planet’s future as well as that of his industry. His “Green Leaf Philosophy” and “KIKOE” series furniture symbolize his concern and determination. It is about a simple yet circulative lifestyle which nurtured a rich spirit and was the foundation where all kinds of unique cultural forms such as “satoyama” and sayings like “mottai nai (No waste)” were born.

KIKOE” is a series of original furniture made from Japanese wood such as cedar, cypress and pine. Since ancient times, Japanese people have lived amongst these woods. For example, Sugi, or Japanese cedar, an indigenous species in Japan, is not only very warm and gentle to the touch, but also regulates temperature and humidity, and absorbs substances such as ozone and carbon dioxide. The boxes that have protected the treasures of Nara’s Shoso-in Imperial Repository for over 1300 years are actually made of cedar.

KIKOE” was born from Takasugi’s wish to bring together a variety of Japanese woods that have long been used by the Japanese people in a design that allows people to directly feel the warmth of the wood, while making stylish furniture that can be incorporated into modern life.

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Utilizing his background as a joinery furniture company,

the KIKOE products use no nails and very little paint

in order to let the users feel the true touch of wood.

You can find no handle or nub to open the drawers or

cabinet, so how can you open them? Push the surface of

the drawer lightly – you can’t open the drawer without

feeling the wood, and once you experience the feeling

you will never want to stop touching it. Such precise

structures rely on Mizokawa’s experienced craftspeople,

of course. “Our craftspeople listen to and talk with

woods,” Takasugi says proudly

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Though Takasugi is not

himself a furniture craftsman,

he dedicates himself to

be the best promoter

of furniture made by his

craftspeople. “My job is to

create demand for made-to-

order furniture and to

provide our craftspeople

with work that allows them to keenly utilize their

skills and knowledge in the product,” Takasugi says.

He is keen to learn from other industries and actively

interacts with a variety of people. DESIGN WEEK

TANGO is one of the new challenges Mizokawa tried

this year.

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Green Leaf Philosophy

About 70% of Japan’s landmass is covered with woodland. About 50%

of the woodland

is natural forest,40% is planted and the remaining

10% is bamboo or scrub.

Most of the artificial woodland consists of

acicular (needle-leaf) trees such as

Sugi (cedar), Hinoki (cypress) and

Matsu (pine). It takes 30 to 50 years for the trees

to grow big enough

to be used as good materials and it’s not difficult to imagine that the

forestry

industry is now declining due to high costs and a lack of

human

resources.

There is a fact that many of the trees in Japan are left without

care which

results in

depleted woodlands, though maintaining woodland

is essential for

keeping

our safety and preserving

the natural environment:

preventing

landslides,

reducing greenhouse effect gas,

and maintaining

the mountain

ecosystem

which feeds water into the rivers and seas.

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What was life like in the Heian period (794-1185), when life continued without oil, electricity, or gas? People used their inherited knowledge and experience to the utmost in inventing and producing all of their necessities. Care and attention to details was paramount and people always tried to make the best use of materials without waste. They consumed only what they needed and made sure to design durable and attractive products that could be used and passed on for many generations.

Kyoto is the city where the Kyoto Protocol was adopted in 1997.We, Mizokawa Furniture Store, have no doubt that we should take the initiative to say goodbye to materialistic-oriented wealth and start promoting the culturally-rich life of Kyoto. We believe that it is urgently necessary to establish a new social structure where “economy” and “environment” are in a respectful and good balance.

In addition, a survey by a private firm predicts that the shortage of artisans and workforce will increase further such as in the field of bricklayers, carpenters, furniture makers, welders and others. Manufacturing traditions, like cultural heritages, cannot be built up overnight. And once it is lost, it is almost impossible to revive. We hope that we can create a society where the experienced skills of craftspeople and cutting-edge technology can coexist and make our lives better and happier as well as more sustainable.

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The Japanese Art of Touch